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Analytical chemistry --- Archeology --- archaeology --- radiocarbon dating
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History of chemistry --- chemistry --- geschiedenis van de wetenschappen --- Katholieke Universiteit Leuven --- anno 1600-1699 --- anno 1800-1999 --- anno 1700-1799
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alchemy --- History of chemistry --- 133.5:54 --- Alchemie --- Exhibitions --- 133.5:54 Alchemie --- Art
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For all archaeological artefactual evidence, the study of the provenance, production technology and trade of raw materials must be based on archaeometry. Whereas the study of the provenance and trade of stone and ceramics is already well advanced, this is not necessarily the case for ancient glass. The nature of the raw materials used and the geographical location of their transformation into artefacts often remain unclear. Currently, these questions are addressed by the use of radiogenic isotope analysis.
Academic collection --- 902 --- Archeologie --- 902 Archeologie --- glass [material] --- Nuclear chemistry --- archaeometry --- fysicochemie --- Industrial archeology --- Glass --- Archaeometry --- Archaeology --- Art --- Methodology --- Analysis --- History --- Methodology. --- Analysis.
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Back cover: The book Relics @ the Lab, an Analytical Approach to the Study of Relics includes a series of studies presented at the first international workshop Relics @ the Lab organized by the Royal Institute of Cultural Heritage (KIK-IRPA) in Brussels, Belgium (27-28 October 2016). The papers cover a large variety of themes as well as analytical methods. Some papers focus on the primary relics while others deal with the nature and origin of secondary as well as tertiary relics. The first group of papers emphases on the archaeological authenticity of the relics, the second group elucidate the use, additions and manipulations of the relics through the ages. The applied analytical techniques are very divers. Radiocarbon and physical anthropology are the main tools to study the primary relics, while dye analysis, imaging techniques, textile analysis and dendrochronology are used to study the secondary and tertiary relics. Sometimes unexpected techniques, like the analysis of writing ink or the determination of plants and excrements, complete the wide range of analytical methods used to understand the origin, nature and context of the relics. Academics as well as professionals working in archaeology, art history, museum labs and conservation sciences will find this an invaluable reference source.
Relics. --- Archaeology. --- Chemistry, Analytic. --- Radiocarbon dating. --- Physical anthropology. --- Relics --- Archaeology --- Chemistry, Analytic --- Radiocarbon dating --- Physical anthropology --- Textile fabrics --- Human remains (Archaeology) --- Analysis --- Congresses --- Congresses. --- Archeology --- archaeology --- relics --- technical art history --- Dymphne [s.] --- 235.3 --- 231.7 --- 231.7 Goddelijke wet. Beheer van de schepping door God --- Goddelijke wet. Beheer van de schepping door God --- 235.3 Hagiografie --- 235.3 Hagiographie --- Hagiografie --- Hagiographie --- Reliques
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Petrology in archaeology. --- Ceramics --- Pottery. --- Pétrologie en archéologie --- Céramique industrielle --- Céramique --- Analysis. --- Analyse --- Petrology in archaeology --- Pottery --- Analysis --- Rocks. Minerals --- archaeological objects --- research [function] --- petrography --- thin sections --- Archeology --- Pétrologie en archéologie --- Céramique industrielle --- Céramique --- Ceramic art --- Ceramics (Art) --- Chinaware --- Crockery --- Earthenware --- Pottery, Primitive --- Decorative arts --- House furnishings --- Firing (Ceramics) --- Saggers --- Petroarchaeology --- Archaeological chemistry --- Archaeology --- Ceramic technology --- Industrial ceramics --- Keramics --- Building materials --- Chemistry, Technical --- Clay --- Methodology --- Ceramics - Analysis
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This book elaborates on different aspects of the decision making process concerning the management of climate risk in museums and historic houses. The goal of this publication is to assist collection managers and caretakers by providing information that will allow responsible decisions about the museum indoor climate to be made. The focus is not only on the outcome, but also on the equally important process that leads to that outcome. The different steps contribute significantly to the understanding of the needs of movable and immovable heritage. The decision making process to determine the requirements for the museum indoor climate includes nine steps: Step 1. The process to make a balanced decision starts by clarifying the decision context and evaluating what is important to the decision maker by developing clear objectives. In Step 2 the value of all heritage assets that are affected by the decision are evaluated and the significance of the building and the movable collection is made explicit. Step 3. The climate risks to the moveable collection are assessed. Step 4: Those parts of the building that are considered valuable and susceptible to certain climate conditions are identified. Step 5. The human comfort needs for visitors and staff are expressed. Step 6: To understand the indoor climate, the building physics are explored. Step 7. The climate specifications derived from step 3 to 5 are weighed and for each climate zone the optimal climate conditions are specified. Step 8: Within the value framework established in Step 1, the options to optimize the indoor climate are considered and selected. Step 9: All options to reduce the climate collection risks are evaluated by the objectives established in Step 1.
Museology --- Sociology of cultural policy --- Didactics of the arts --- Physics --- Surface chemistry --- Materials sciences --- Environmental protection. Environmental technology --- Building design --- Building materials. Building technology --- Protection of buildings against external influences --- Art --- HVAC --- temperature-related techniques --- corrosion [condition changing process] --- museology --- humidity --- salinity --- insect damage --- Fungi [kingdom] --- cultureel erfgoed --- materiaalkennis --- oppervlakte-onderzoek --- bouwkunde --- kunst --- kunstonderwijs --- milieubeleid --- creativiteit
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Pottery --- Ceramics --- History --- Expertising --- Analysis --- -Pottery --- -Ceramic art --- Ceramics (Art) --- Chinaware --- Crockery --- Earthenware --- Pottery, Primitive --- Decorative arts --- House furnishings --- Firing (Ceramics) --- Saggers --- Ceramic technology --- Industrial ceramics --- Keramics --- Building materials --- Chemistry, Technical --- Clay --- -Analysis --- -Ceramic technology --- Ceramic art --- pottery techniques --- chemical properties --- earthenware --- Ceramics. --- Expertising. --- Céramique --- Analyse. --- Keramik. --- Pottery. --- Analysis. --- History. --- Geschichte. --- archaeology --- Archeology --- Applied arts. Arts and crafts --- Céramique industrielle --- Histoire --- Expertise --- Analyse --- Céramique. Technique. (Manuel) --- Ceramiek. Techniek. (Handboek) --- Pottery - History --- Pottery - Expertising --- Pottery - Analysis
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